Jyoti Arvey

50.4422574° N, 30.51882539999997° E

Delivered from the empty pedestal of a Lenin statue in Kiev, Ukraine: a poem, a construction, a fragmentary narrative of history, absence, and longing.

Prima Jalichandra-Sakuntabhai

34.101630° N, 118.326684° W

Crossings (X) explores the interchangeability and the permutability of the X. As symbol, letter, mark, X is an ever-expanding signifier that intersects concepts of unknowability, gender, I/You relations and borders. The piece is inspired from the book of logic puzzles, Satan, Cantor and Infinity, by Raymond Smullyan.

Zulfikar Ali Bhutto

31.77617° N, 35.23583° E

In “Searching for the Next Intifada,” the golden dome of the Al-Aqsa mosque in Jerusalem sets the stage for a discussion of queer Muslim artists reimagining radical futures.

Juan Pablo Pacheco

33.3587272° S, 70.6977911° W

In “Liquid Democracy,” Google's only Latin American data center in Quilicura, Chile provides a somber backdrop for a television script about Cloud-based computing.

Amanda Walters

26.67694° N, 80.03694° W

In an essay examining the architectural trappings of both leisure and power, Walters’ photo essay on Mar-a-Lago explores pan-Mediterranean revivalism, a style combining the Eurocentric tendencies of the US bourgeoisie with a pan-tropic twist through its expression in the domestic tropical destination of South Florida.