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From Base to Brim: A Consideration of the Vessel

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Manresa Gallery, Saint Ignatius Church. Photograph: Kathryn Barulich.

Installation shot, Manresa Gallery, San Francisco. Photograph: Kathryn Barulich.

Photograph: Arturo Araujo, SJ.

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Arturo Araujo, SJ, I Need Someone to Pour Myself Into ~Sylvia Plath, 2009. Photograph courtesy of Arturo Araujo, SJ.

Installation shot, Manresa Gallery, San Francisco. Photograph courtesy of Arturo Araujo, SJ.

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Detail: Arturo Araujo, SJ, I Need Someone to Pour Myself Into ~Sylvia Plath, 2009. Photograph courtesy of Arturo Araujo, SJ.

Detail: Arturo Araujo, SJ, I Need Someone to Pour Myself Into ~Sylvia Plath, 2009. Photograph courtesy of Arturo Araujo, SJ.

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Arturo Araujo, SJ and students, The Unforgotten, 2016. Photograph courtesy of Arturo Araujo, SJ.

Arturo Araujo, SJ and students, The Unforgotten, 2016. Photograph courtesy of Arturo Araujo, SJ.

Arturo Araujo, SJ and students, The Unforgotten, 2016. Photograph courtesy of Arturo Araujo, SJ.

Vessels of Memory does not fail to acknowledge animal life that has been lost. In 2013, the Jesuit Pope Francis published his second encyclical, a periodic announcement from the pope to Catholics [4], Laudato Si’: On Care for our Common Home. In it, Pope Francis critiques global warming, irresponsible development, and consumerism, calling all people of the world to take action.[5] The artist references the encyclical to expand on an earthly tradition that runs through his work. For the installation, Arturo suspends thirty-five clay bird houses from a frame that mirrors the gallery’s architectural dome. The chirping of the extinct, Hawaiian ōō (pronounced “oh-oh”) bird surrounds the visitor, flowing over into the adjacent alcoves and body of the church. The melodic bird calls emphasize the emptiness of these nests – this species has been gone for over twenty years.[6]

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ōō

Arturo Araujo, SJ, An Angel Has Passed, 2016. Photograph: Kathryn Barulich.

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